{"id":1344,"date":"2020-04-25T11:31:46","date_gmt":"2020-04-25T10:31:46","guid":{"rendered":"http:\/\/www.lestarif.fr\/?p=1344"},"modified":"2020-05-23T22:14:38","modified_gmt":"2020-05-23T21:14:38","slug":"cours-de-chant","status":"publish","type":"post","link":"http:\/\/www.lestarif.fr\/?p=1344","title":{"rendered":"Chant &#8211; Cours sur internet"},"content":{"rendered":"\n<p><strong>De&nbsp;:<\/strong> nicole taylor &lt;<a href=\"mailto:nicotay@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\">nicotay@gmail.com<\/a>&gt;<br><strong>Envoy\u00e9&nbsp;:<\/strong> samedi 18 avril 2020 04:19<br><strong>\u00c0&nbsp;:<\/strong> TARIF Pierre (ENGIE Africa) &lt;<a href=\"mailto:pierre.tarif@engie.com\" target=\"_blank\" rel=\"noreferrer noopener\">pierre.tarif@engie.com<\/a>&gt;<br><strong>Objet&nbsp;:<\/strong> PLEASE WATCH<\/p>\n\n\n\n<p>3 cours donn\u00e9s par Jack LiVigni<br>(\u00e0 noter que c&rsquo;est un t\u00e9nor)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=aajFNsyytsw&amp;t=2s\">https:\/\/www.youtube.com\/watch?v=aajFNsyytsw&amp;t=2s<\/a><br>Voice Teacher Jack LiVigni explains his approach to head voice. The need for vocal fold elongation coupled with strong cord closure and suppleness in the body of the cords. Singing on the breath rather than with breath<\/p>\n\n\n\n<p>Work at getting the tilt (of the larynx) and the closure (of the vocal chords)  at the same time. These are antagonists :<br>Tilt come with yawning (open during breath)<br>closure come with swallowing (then larynx tends to go up)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=4Okglv_2qXY\">https:\/\/www.youtube.com\/watch?v=4Okglv_2qXY<\/a><br>Bien prononcer les voyelles, en les ouvrant <br>Avoir un passagio continu<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=RnSTjqVDAA4\">https:\/\/www.youtube.com\/watch?v=RnSTjqVDAA4<\/a><br>\u00e0 propos du support, il inverse l&rsquo;assertion souvent entendue, pour expliquer que c&rsquo;est la note qui fait le support, et pas l&rsquo;inverse.<br>Voice Teacher Jack LiVigni describes technical approach for breathing, sustaining, vibrato, etc. The sustaining of sound is largely linked to the mental image of the sound.<\/p>\n\n\n\n<p>=========================<\/p>\n\n\n\n<h2>Some Thoughts on the Heart of Art Song<\/h2>\n\n\n\n<p><strong>De&nbsp;:<\/strong> nicole taylor &lt;<a href=\"mailto:nicotay@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\">nicotay@gmail.com<\/a>&gt;<br><strong>Envoy\u00e9&nbsp;:<\/strong> mercredi 22 avril 2020 03:53<br><strong>\u00c0&nbsp;:<\/strong> TARIF Pierre (ENGIE Africa) &lt;<a href=\"mailto:pierre.tarif@engie.com\" target=\"_blank\" rel=\"noreferrer noopener\">pierre.tarif@engie.com<\/a>&gt;<br><strong>Objet&nbsp;:<\/strong> Some thoughts on the heart of an Art Song<\/p>\n\n\n\n<p>Another series of wonderful lessons on the interpretation of Art Song from a very dear (and very, very tough) teacher of mine, Ms Elly Ameling&#8230; please watch<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube aligncenter wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Some Thoughts on the Heart of Art Song - by Elly Ameling\" width=\"730\" height=\"411\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PL_VpUMquGG62aN05nEfQIdNtVWGJmIV6Y\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Lesson 1 &#8211; Think before you sing<\/p>\n\n\n\n<p><br>=========================<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=DiYyY2Fhp8g\">https:\/\/www.youtube.com\/watch?v=DiYyY2Fhp8g<\/a><br>Salvatore Fisichella teaching Jack LiVigni<\/p>\n\n\n\n<p><strong>De&nbsp;:<\/strong> nicole taylor &lt;<a href=\"mailto:nicotay@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\">nicotay@gmail.com<\/a>&gt;<br><strong>Envoy\u00e9&nbsp;:<\/strong> lundi 20 avril 2020 13:52<br><strong>\u00c0&nbsp;:<\/strong> TARIF Pierre (ENGIE Africa) &lt;<a href=\"mailto:pierre.tarif@engie.com\" target=\"_blank\" rel=\"noreferrer noopener\">pierre.tarif@engie.com<\/a>&gt;<br><strong>Objet&nbsp;:<\/strong> Some good examples<\/p>\n\n\n\n<p>Hi again Pierre,<\/p>\n\n\n\n<p>Here are a few more examples.<\/p>\n\n\n\n<p>Fisichella is Italian, so the sound is a bit brighter and more open than Russian, as you may hear when Vladimir demonstrates\u2026&nbsp;<\/p>\n\n\n\n<p>This is because of linguistic and stylistic differences between Russian and Italian classical music\u2026. (Listen for example to the difference between Donizetti and Tchaikovsky, or Bellini and Rachmaninov\u2026)&nbsp;<\/p>\n\n\n\n<p>Russian has a characteristic darkness and sobriety to the sound, which is true across all compositions, not just operatic compositions\u2026 &nbsp;<\/p>\n\n\n\n<p>BUT the main principles of the vocal technique are the same. Enjoy!<\/p>\n\n\n\n<p>Vladimir Chernov (baritone) masterclass &#8211; this is my teacher <img decoding=\"async\" alt=\"\u263a\" src=\"https:\/\/mail.google.com\/mail\/e\/263a\">\ufe0f<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vladimir Chernov - Masterclass - II.\" width=\"730\" height=\"411\" src=\"https:\/\/www.youtube.com\/embed\/CR_3-u1N1TU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>De&nbsp;: nicole taylor &lt;nicotay@gmail.com&gt;Envoy\u00e9&nbsp;: samedi 18 avril 2020 04:19\u00c0&nbsp;: TARIF Pierre (ENGIE Africa) &lt;pierre.tarif@engie.com&gt;Objet&nbsp;: PLEASE WATCH 3 cours donn\u00e9s par Jack LiVigni(\u00e0 noter que c&rsquo;est un t\u00e9nor) https:\/\/www.youtube.com\/watch?v=aajFNsyytsw&amp;t=2sVoice Teacher Jack LiVigni explains his approach to head voice. The need for vocal fold elongation coupled with strong cord closure and suppleness in the body of the &#8230;<\/p>\n<p><a href=\"http:\/\/www.lestarif.fr\/?p=1344\" class=\"more-link\">Continue reading &lsquo;Chant &#8211; Cours sur internet&rsquo; &raquo;<\/a><\/p>\n","protected":false},"author":351,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=\/wp\/v2\/posts\/1344"}],"collection":[{"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=\/wp\/v2\/users\/351"}],"replies":[{"embeddable":true,"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1344"}],"version-history":[{"count":9,"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=\/wp\/v2\/posts\/1344\/revisions"}],"predecessor-version":[{"id":1372,"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=\/wp\/v2\/posts\/1344\/revisions\/1372"}],"wp:attachment":[{"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1344"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.lestarif.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}